Irrespective of how you approach Port Adelaide (the Port) you will see at least one of murals on either gable wall of the nine story old Fisheries Building, some distance before you get to the building. Continue reading “Street Art On A Grand Scale”
Gundagai is famous for its Dog on the Tuckerbox sculpture located at Five Mile Creek outside the town.
In my separate review of the sculpture I have given details of the story behind it so will not repeat the details here. Please read my Dog on the Tuckerbox review in conjunction with this review if you have not already read it.
Here on Sheridan Street, Gundagai’s main street, the Dog on the Tuckerbox story is depicted in a few aging/ flaky murals on the outside of the Gundagai Pharmacy (across the street from St Patrick’s Church). Continue reading “Dog on the Tuckerbox Murals”
Woolloomooloo (or the Loo) is an inner-city harbour-side suburb adjoining Sydney’s central business district. It has traditionally been a working class residential suburb housing waterside workers and their families – a latter days version of the Rocks, if you like. Of late, gentrification has taken place. Continue reading “Saving the Loo – Woolloomooloo Murals”
I have to say I wasn’t prepared for this. While we had seen numerous large mosaics on our trip to North Korea these mosaics surpassed all others and are truly amazing both in terms of quality and size. Yes, that is a 9 storey apartment block behind them. Continue reading “Mosaics of the Leaders”
Fountain Estate (or The Fountain) is the last remaining Protestant community on Londonderry’s (as the approximately 500 Loyalist residents most assuredly call it) cityside. A Unionist island in a Nationalist sea, if you will. Continue reading “An Angel in The Fountain”
Background to the Murals
Many of the most significant events in Northern Ireland’s Troubles were played out in Derry and indeed right here in the Bogside.
Throughout the Troubles the creation of sectarian murals by both the Catholic (nationalist) and Protestant (unionist) sides, particularly though not exclusively in Belfast and Derry, was seen as a key strategy in each side’s propaganda campaign. These building sized murals, often not for the faint hearted, told it as it was (from the creators perspective, of course) and added a bit – often a big bit for good measure. Continue reading “The People’s Gallery”
This western section of the Derry City’s Wall, between Double Bastion and Butcher Gate, is the widest section of the Wall and is known as Grand Parade. What a great stretch of the Wall it is for those seeking to promenade. It was quite amazing to recall as I stroll along here that these walls are 400 years old and to think about the history under my feet and all around me. In addition to the strategic importance of this section of the Wall it has always been a preferred part of the Wall for a walk or other exercise. Continue reading “Grand Parade – Enjoy the Walk”
Those who have read others of my North Korea entries will be aware of what North Korea thinks of the United States. Since 1866 when the US warship, the General Sherman, was destroyed and all its crew killed after it sailed up the Taedong River seeking to engage in trade with, and land missionaries in, the country against the expressed wishes of the Korean Imperial Court, the United States has been seen as the very devil incarnate. The US continues to be held responsible for everything negative in North Korea. Every opportunity to demean, belittle, humiliate and insult the US is availed of. Continue reading “Sinchon Museum of American War Atrocities”
Having spent a number of days in North Korea it was time to visit the Korean Feature Film Studio, or more specifically the film sets as we did not get into the studios themselves.
Many would argue, and with some justification, that the whole of North Korea is like a film set where everything is stage managed and has an air of artificiality about it. Continue reading “Korean Feature Film Studio (I)”
The output of this art studio can be seen everywhere in North Korea.
Every statue of the leaders, every painting/image (as opposed to photograph) of the Leaders right down to the lapel pins worn by every citizen and all the great monuments such as the Monument to the Foundation of the Korean Workers Party were designed and, in the main, produced here. In addition to this, the studio has very active painting and pottery sections (among its thirteen sections). The studio’s most recognisable piece of work is the Mansudae Grand Monument in the city centre. Continue reading “Mansudae Art Studio”